A New Role – SAH VP

A few years back a fellow female automotive scholar [there are so few of us] encouraged me to join the Society of Automotive Historians. As I am not a historian, a true car enthusiast, or particularly knowledgeable about cars, my first response was to graciously decline. However, this individual pressed upon me that as the organization was overwhelmingly male in membership, it would be in the best interest of the SAH to have a greater female presence. I therefore somewhat begrudgingly joined, and spent the first couple of years reading club publications, attending a few SAH events, and getting to know some of the major players.

When this same individual was elected to the Board, she persuaded me run in the next election. Not surprisingly, I lost. But as I started getting more active in the organization, I took on a few projects so that folks could see that although I was not nearly as knowledgeable as the majority of the membership, I was hard working and serious about my commitment to the SAH.

I was elected to the Board at the following election, and over the next few years took on responsibilities as chair of the Awards Committee and Bricks and Mortar Working Group. I participated in a number of SAH sponsored conferences, wrote a couple of book reviews for the SAH Journal, and had a number of articles published in the Automotive History Review, the premier publication of the SAH. I worked especially hard on the Bricks and Mortar Working Group, securing partnerships with two institutions to house the SAH archives. However,I believe the turning point in my relationship with SAH was the publication of an article in AHR that reflected on my experiences as a woman in automotive advertising in the 1980s. This insight into an unknown and often mysterious area of the automotive industry – a business which non-ad people find fascinating – gave me some legitimacy. I finally felt like I was not an SAH interloper, but perhaps in some way deserved to belong.

About a year ago the notion of my running for SAH VP was tossed around. As it is expected that the VP will eventually be President, I was dismissive of the idea, since I do not have the personality [I am socially awkward] or organizational skills for such a position. Thus when I was officially asked to run, I declined. I thought the matter was settled, but I was so wrong. Over the course of two weeks I was contacted by a number of individuals asking me to reconsider my decision. Putting the flattery of such attention aside, I pondered long and hard as to whether I could, in fact, handle the job. I eventually accepted, and at the Annual Meeting earlier this week I was officially installed as the newly elected Vice President of the Society of Automotive Historians.

The next two years will be a challenge. But I have a lot of support, particularly from the newly elected President. He and I share a vision for the SAH which we hope to implement over the next 24 months. So here I am, a not particularly glib individual with an interest but not an expertise in automotive history presiding over an 50+ year organization with a commitment to the preservation and dissemination of automotive history for present and future generations. It’s been a fascinating journey to get here, but the real trip has only just begun. Wish me luck!

Georgine Clarsen

Growing up in Detroit, I often thought of interest in automotive history as a particularly American, if not Southeastern Michigan, phenomenon. As a young adult, working in an automotive advertising agency, surrounded by a plethora of male auto aficionados, I assumed this enthusiasm for all things automotive was most often framed by gender and geography. Imagine my surprise, therefore, when beginning my research on women and cars, I discovered that two of the more prominent and prolific historians of the female motorist were neither male nor American. Margaret Walsh, a historian at the University of Nottingham in the UK, who I have written about in an earlier blog, and Georgine Clarsen, a scholar of history at the University of Wollongong in Australia, have individually and independently made considerable contributions to the women’s automotive history archives. While Walsh’s work focuses primarily on the history of the woman driver in the United States, Clarsen’s major work – Eat My Dust: Early Women Motorists – explores women’s active roles in shaping automobile culture in her native Australia, Britain, British colonial Africa, as well as the USA. Her most recent research – as noted in The Conversation – specifically examines early around-Australia automobile journeys and the role of automobility in shaping ideas of colonial settler landscapes and identities. While much of her scholarship is centered on the automobile, Clarsen has also written extensively on women’s mobilities in other modes of transportation, such as bicycles and buses. 

As both a historian and a feminist, Clarsen is interested not only on the specifics of women’s early automobility, but also how automotive narratives were often called upon to frame sexual difference, bodily experience, and identity. Considering the countless histories generated since the automobile’s inception, Clarsen writes, “Histories of automobiles […] are more than they seem. Like all histories, they exceed their avowed subject matter to tell a great more besides. Beyond their manifest concerns, they provide a dense array of metaphors, images and progressions through which other stories have been told” (Dainty 153). Clarsen’s extensive scholarship is valuable not only as a source of knowledge regarding the early woman driver, but also calls upon women’s relationship to the automobile to frame debates about class, gender, sexuality, race, and nation in a variety of locations.

In my own work, I found Clarsen’s writing invaluable in discussions regarding the woman driver stereotype and how women – throughout automotive history – have been routinely dismissed as unknowledgeable about cars, uninterested in automobile technology, and inept as drivers. While I am not a historian, automobile/mobility scholars such as Clarsen have both informed my work and served as inspiration into my research devoted to the subject of women and cars.

Clarsen, Georgine. “The ‘Dainty Female Toe’ and the ‘Brawny Male Arm’: Conceptions of Bodies and Power in Automobile Technology.” Australian Feminist Studies 15.32 (2000): 153-163.

Katherine Parkin

I first met Katherine Parkin at the 2018 Popular Culture Association National Conference. We were both presenting in one of the Vehicle Culture sessions, and although familiar with each other’s work, we had never connected professionally or personally. Parkin’s Women at the Wheel: A Century of Buying, Driving, and Fixing Cars had just been published, and I was about to release my first book –  Power Under Her Foot: Women Enthusiasts of American Muscle Cars. I was honored that Parkin had cited some of my journal articles in her book, and Parkin, in turn, was happy to meet the person whose work she cited. As there are so few of us who write about women and cars in an academic construct, it was both a surprise and pleasure to meet an individual who has contributed so much to the field. Since that meeting we have supported each other in other ways  – Parkin has forwarded peer review and article requests to me, of which I am greatly appreciative, and I have cited Parkin’s work in subsequent scholarship. 

While I came to academia late in life, Parkin has made it her life’s calling. A professor of history and the Jules Plangere Jr Endowed Chair in American Social History at Monmouth University in New Jersey, Parkin is an historian of considerable accomplishment. Although much of her work focuses on women’s automobility, she is also the author of numerous books and articles on a wide variety of topics, including food, advertising, women in American politics, and family history. As an historian, Parkin’s approach to women and cars differs from my own. Calling upon primary sources such as advertisements, women’s publications, popular music lyrics, and historical records, she combines disparate parts and pieces from a variety of resources to construct an interesting and insightful amalgam of women’s involvement with the automobile. In 2018, Women at the Wheel was awarded the Emily Toth Award for the best book in feminist popular culture; just recently, the Henry Ford Learning and Engagement Center named it one of the most informative and influential contributions to women’s automotive history, serving as a post war bookend to Virginia Scharff’s groundbreaking Taking the Wheel: Women and the Coming of the Motor Age.

In her most recent women-and-car themed works, Parkin provides an alternative history of Alice Ramsey, and examines the efforts of early manufacturers of luxury vehicles to attract the female buyer. I look forward to her next project, and am thankful we had the opportunity to meet a few years ago.

Below is a list of Parkin’s scholarship devoted to the relationship between women and cars.

“’Bring Them Back Alive!’: Fear and the Macabre in US Automobile Tire Advertising,” Advertising & Society Quarterly 18 (1) April 2017: (published by Johns Hopkins University Press, available through Project Muse).

“Driving Home Class Status: Women and Car Advertising in the United States,” Advertising & Society Quarterly, June 2019. 

Alice Ramsey: Driving in New Directions,” New Jersey Studies, July 2018.

“The Key to the Universe: Springsteen, Masculinity, and the Car,” in Bruce Springsteen and the American Soul: Essays on the Songs and Influence of a Cultural Icon, edited by David Izzo. Jefferson, North Carolina: McFarland & Company, Inc., 2011.

Women at the Wheel: A Century of Buying, Driving, and Fixing Cars. Philadelphia: University of Pennsylvania Press, 2017.