Female Firsts in Automotive History

Being the ‘first’ in any endeavor represents a breakthrough moment – someone or something has crossed a boundary that had not been crossed before. The celebration of firsts suggests possibilities – something that was once considered impossible or off-limits can now be achieved. However, acknowledgement as a groundbreaker also carries the weight of expectations. An individual’s success or failure can influence how others in the same role or field are perceived. While this phenomenon exists in all fields of endeavor, it especially relevant for those whose “firsts” challenge existing power structures and societal norms. Although attention to female automotive firsts may diminish the achievements of those who follow, the determination and tenacity of women who were able to succeed in a culture in which they were not welcomed should not be disregarded. As Nanette Braun, of the United Nations Entity for Gender Equality and Empowerment of Women, exclaims, “as long as women face barriers, it’s important to celebrate first-time achievements to show other women that such accomplishments are possible” (qtd in Morgan).

Joan Newton Cuneo – first female star of motorsports

It is not surprising, therefore, that in automotive history, many of the celebrated women are ‘firsts.’ Bertha Benz was the first person, man or woman, to engage in a long-distance, internal-combustion-engine, automobile trip. Alice Ramsey was the first woman to drive across the US in an automobile. The ‘first female star of motorsports’ was a title bestowed on Joan Newton Cuneo for her racing acumen. Other female racers have also been honored as firsts – Louise Smith is regarded as the ‘first lady of racing;’ Betty Skelton was known as the ‘first lady of firsts.’ Janet Guthrie was the first woman to qualify at Indianapolis; Lyn St James was the first woman to be awarded the Indy 500 Rookie of the Year. Not only was Sarah Fisher the first woman drive for her own team, but was the first female owner to earn an IndyCar victory. The first woman to win an IndyCar race was Danica Patrick. Due to her record breaking accomplishments, Shirley Muldowney is often referred to as the ‘First Lady of Drag Racing.’ The three Force sisters – Ashley, Brittany, and Courtney, hold a collection of drag racing firsts. Other firsts include Nellie Goins, the first African American woman to succeed in Funny Car racing, and Cheryl Linn Glass, the first Black woman to race professionally. 

Betty Skelton ‘First Lady of Firsts’

Female firsts are also noted in the auto industry. Helene Rother was the first woman to enter the field of automotive interior design at General Motors.  Audrey Hodges Moore is recognized as the first full-time designer at an automotive company. The first female industrial designer at Studebaker was Helen Dryden. Betty Thatcher Oros was the first female exterior automotive designer on record. In more recent history, there is no more prominent ‘first’ than Mary Barra, the first woman to serve as CEO of a US automotive manufacturer. Whatever their automotive endeavor, these female firsts stood out as exceptional. They were women that through daring, perseverance, and a little bit of moxie, broke barriers and emerged victorious despite incredible odds. Exceptional women in history, notes Helen Antrobus, are those who lived and worked outside the stereotypical gender norms of the time. They are those “who subverted the conventional role of women, who shouted loud enough to be heard” (56).In automotive history, they are celebrated as pioneers, female heroes, and invaders of the male domain. They appear as long distance adventurers, auto industry interlopers, and motorsport legends.

Cheryl Linn Glass – First Black Female Professional Racer

However as a category of female success, the ‘exceptional woman’ both hinders and helps how women are considered in automotive history. The exceptional label can imply rarity rather than equality; it can suggest an individual’s accomplishments are unusual because of her gender, thus reinforcing the idea that success is the norm for men but not for women. It can give the impression that what a particular woman has accomplished cannot be easily duplicated by others; that she is, in fact, an anomaly, an outlier, a recipient of extraordinary circumstances, relationships, opportunities, coincidences, or luck. It can reinforce gender stereotypes, upholding the idea that women don’t belong in certain areas, and that those who succeed must be ‘special’ rather than talented or learned or skilled; any shortcomings can be generalized as evidence that ‘women aren’t suited’ for the role. It can be condescending, as though the person’s gender is more noteworthy than what she has accomplished. It can isolate rather than normalize, thereby slowing broader acceptance and inclusion. 

Audrey Hodges Moore – first full time female automotive designer

However, the importance of female representation in automotive history cannot be underestimated. Research focusing on women’s participation within male-dominated environments repeatedly demonstrates how one woman’s success can serve as motivation and inspiration for those that follow (Lockwood et al). Asking “Do Female ‘Firsts’ Still Matter” in the US judicial system, Frick and Onwuachi-Willig note how the firsts of female judges all over the nation not only held important symbolic meaning for the advancement of women, but also “helped to change societal perceptions about who is and should be a judge” (1531). Female representation is considered crucial to the retention and recruitment of women in male-centric STEM fields. Write Drury et al, “female role models assist in both of these efforts by improving women’s performance and sense of belonging in STEM” (265). One of the barriers that perpetuates women’s exclusion from Formula One, argues O. Howe, is a lack of ‘representation and (in)visibility” (454). The younger generations need to “see it to be it,” Howe argues. “If a team were required to have a woman on their team, it could provide inspiration for the next generation of women race drivers […]” (460).

Helene Rother – first female designer at General Motors

Research, notes Forbes contributor Margie Warrell, demonstrates that “role models have an amplified benefit for women due to the gender biases, institutional barriers and negative stereotypes women have long had to contend with across a wide swathe of professional domains.” As Warrell concurs, ‘”seeing is believing”. In terms of automotive history, attention to the firsts of exceptional women has the potential to inspire young women to think about a future as a designer, engineer, racer, owner, or even, perhaps, CEO. 


Helen Antrobus. “Anonymous was a Woman: Collecting Cultures at the People’s History Museum.” Anonymous Was a Woman: A Museum and Feminist Reader, ed. Jenna C. Ashton (Cambridge: Museums Etc Limited).

Benjamin J. Drury, John Oliver Siy, and Sapna Cheryan. “Do Female Role Models Benefit Women? The Importance of Differentiating Recruitment From Retention in STEM.” Psychological Inquiry 22 2011, 265.

Amber Fricke & Angela Onwuachi-Willig. “Do Female ‘Firsts’ Still Matter? Why They Do for Female Judges of Color.” 2012 Michigan State Law Review, 1531.

Olivia Howe, “Hitting the Barriers –  Women in Formula 1 and W Series Racing,” European Journal of Women’s Studies 20, no. 3 (2022): 454.

Penelope Lockwood et al. “To Do or Not to Do Using Positive and Negative Role Models to Harness Motivation.’ Social Cognition 22 (4) 2004: 422-450.

Gwen Morgan. “The Missing Story Behind Women’s First-Time Accomplishments.” Fastcompany.com Jan 1, 2017

Margie Warrell. “Seeing is Believing: Female Role Models Inspire Girls to Think Bigger.” Forbes.com Oct 9, 2020

A Visit to the Dahl Auto Museum

Dahl Family

Our annual trip to the Minnesota State Fair took us home through Wisconsin where we had the opportunity to visit the Dahl Auto Museum in La Crosse. The museum was founded by the Dahl family, who have owned dealerships in the area since 1911, making them the eighth oldest Ford dealership in the country. The museum is attached to their current automotive compound, surrounded by other Dahl auto-related businesses. It is a small museum but very well executed; the exhibits are informative, attractive and well-maintained. There is a lot of historical information on the walls as well as on placards next to the automobiles. The cars are lined up pretty tightly in the museum; the staff member informed us that the 40 cars revolve as there is not enough space to put them all on the floor at once. The museum is dedicated to the history of the Dahl’s involvement with cars as well as the accompanying history of Ford Motor Company. The museum also includes an extensive collection of hood ornaments from various automotive brands. 

In terms of women’s representation, it is found primarily as consumers through advertising, symbols in hood ornaments, stereotypes, and as historical markers. There is also one interesting car story attached to a pink 1957 Thunderbird convertible. 

1957 Ford Thunderbird convertible, passed down from one Dahl woman to another

The car was originally purchased by Henry Dahl’s aunt Loraine in 1957 and has been in the family ever since. It resurfaced in 2013 when it was restored and presented to Andrew Dahl’s wife Jamie at her 40thbirthday party which took place in the museum. The car is driven only in the summer; it is normally displayed in the museum during the winter months. 

Another car of interest was the 1911 Ford Model T ‘Mother-in-Law’ Roadster. The car got its name due to the single spare seat added between the rear fenders. Because the seat was isolated from the passenger and driver, and completely open to the elements, it was dubbed the ‘mother-in-law’ seat, no doubt due to the back-seat drivers jokes of the time. By the 1920s the extra rear seat was repositioned into the body of the car and was thereafter known as the ‘rumble’ seat.

Nash ‘Flying Lady’

The hood ornament collection included the Nash Flying Lady, created especially for the 1950 Airflyte by renown pinup artist George Petty. In the creation of this ornament, Petty combined the popular Petty girl with Airflyte styling. The real life model for the hood ornament was Petty’s daughter Marjorie Petty-Macleod. As noted in Curbside Classic, ‘Nash struck a marketing coupe with Petty’s involvement, and brought some of that known Petty Girls glamour into Nash.’

Other ‘feminine’ hood ornaments in the collection included the 1920s Windswept Girl, the 1926 Butterfly Lady Swirl, the Packard Goddess of Speed, 1920s Diving Nymph, and three versions of the 1950s Cadillac Flying Lady.

Electrics for women

The promotional materials in the museum included a number of ads for electric vehicles that featured women. Women were considered the perfect market for electric cars due to the automobile’s cleanliness, slower speed, and limited range. However, after the introduction of the internal combustion engine, women decided they too wanted to go further and faster which led to the eventual failure of electrics. Ford ads for the Thunderbird and Mustang on display also featured women as consumers and drivers.

I had made a point of visiting the Dahl on this trip. There were a number of posts during Women’s History Month which featured female automotive innovators, such as Florence Lawrence, who developed the auto signal arm extension that influenced the development of turn signals, Mary Anderson who patented the windshield wiper, Charlotte Bridgwood who improved on Anderson’s design by adding an electric component, Helen Rother, the GM designer who was the first hired in such a capacity in Detroit, and Margaret Wilcox, the original designers of the automobile heating system. Unfortunately, as I discovered, the spotlight on these industrious women was apparently limited to the month of March.

The Dahl Auto Museum was a pleasant diversion on the drive home. There are some beautiful cars, much historical information, and a very helpful and knowledgeable staff member to answer visitor questions.