This past weekend was the 8th Annual Michael Argetsinger Symposium on International Motor Racing History, held at Watkins Glen International Speedway media center. Unlike the past two years, I was on the organization team and was also a presenter. As usual there were a mixed bag of presentations – some were fascinating and others less so. There are papers on just about every motorsport interest so it makes sense that some would appeal to me more than others.
The most inspiring presentation of the weekend was that of the keynote speaker, legendary racer Lyn St. James. I had just recently finished her book so while some of the stories she told were familiar, I was intrigued by many of the experiences she had originally left out. Lyn and I are from the same generation, so I was particularly moved by the influence of the women’s movement on her progression from racer to women’s racing advocator. Her recollections of conversations with Billie Jean King in the quest to promote women’s sport were especially compelling. I had brought my copy of Lyn’s book with me to the symposium; she signed it with the most inspirational message. It was quite an exciting day.
My presentation was scheduled on the second day. It was a lengthier repeat of the talk I gave earlier this month to the Silverstone on the history of women-only racing. It went pretty well; I had many good questions from the audience and the women in particular seemed to appreciate it. Some of the men, not so much.
The weekend is filled with other activities that provide an opportunity to network and socialize. As this is my fourth time at the conference [second presenting] I am starting to feel more comfortable. My introduction as the Society of Automotive Historians Vice President also gives me an air of legitimacy in the room.
Although I returned exhausted [a 6AM flight will do that], the weekend was ultimately a fulfilling one. I was able to present to a knowledgeable and interested crowd, mingle with a bunch of like-minded motorsport enthusiasts, and received words of encouragement from a racing legend. How cool is that!
Earlier this year I received an invitation to speak at the #GirlsWill2024 motorsport initiative sponsored by the Silverstone Museum. The Silverstone Museum, located at the iconic Silverstone Circuit in Northamptonshire, UK, is devoted to the past and present of British motor racing, and includes exhibits, legendary cars, and stories of British racing heroes. It is only fitting, therefore, that a month-long program aimed at increasing gender diversity in motorsport take place at this renowned, racing-centric institution.
To celebrate the growing number of female motorsport fans, the Silverstone has set aside the month of October to promote and bring attention to the rising interest and enthusiasm for women in motorsports. Planned activities and programs include educational and career workshops designed to highlight career possibilities as well as guest appearances from sporting stars and motorsport authors. STEM and racing, as well as sponsorships and driving, are the topics of a talk given by Barbie ambassador and Porsche Sprint Challenge GB driver Caitlin Wood. The varied and exciting roles within Formula 1 are the subject of another day’s program; additional October events include hands-on activities to assess reaction skills, as well as a look at the inside world of Formula 1 ‘from paddock to pitlane.’ Information about eSports, karting, and sports broadcasting is also part of the month’s agenda.
Katharine Worth, a PhD candidate now working as a Collections and Research Officer at the Silverstone, was familiar with my work through our joint participation in the Argetsinger Motorsport Symposium. She asked that I speak on the history of women-only racing [From Powder Puff to W Series: The Evolution of Women-Only Racing] which had been published in a UK volume on the history and politics of motorsport. While I had originally hoped to attend the event in person, a fractured elbow [ouch] prevented me from making the trip. But with Katharine’s technical help, and her consideration for the time difference, I was able to make the presentation virtually without mishap. The presentation went smoothly [I hoped those in attendance could understand me through my Midwest American accent] and I tried to answer audience questions to the best of my ability. I was quite honored to be asked to speak at this event and I only hope it was well received. Such programs are so crucial for raising awareness and enthusiasm for motorsports in young girls. The Silverstone is to be commended for creating and maintaining the impressive and important #GirlsWill motorsport initiative.
When I joined the Society of Automotive Historians a number of years ago I was one of the very few visible female members. Consequently, I wanted very much to impress upon the mostly male organization that I could be of value to the club. I took on a number of positions and tasks in order to ‘prove’ myself. I soon took on what was known as the “Bricks and Mortar” working group, with the goal of establishing a permanent home for the organization’s archives. With the help of my fellow panel members, this was achieved. The award books are now in the research stacks of the Auburn Cord Duesenberg Museum in Auburn, Indiana. And a partnership with Kettering University [formerly General Motors Institute] in Flint, Michigan resulted not only in a storage facility for the SAH archives, but also the establishment of a travel grant for student researchers and historians.
I was also put in charge of the Awards Committee. The SAH awards are the signature event of the organization. Each year awards are given out for the best automotive history books [in both English and LOE categories], publications, articles, media other than print, and student papers. Recognition is also given to museum archives and individuals whose efforts have furthered automotive history in some fashion. Each of these award categories has a panel that works all year to determine the winners. I oversee this committee by collecting and directing the nominations, prodding the award chairs to make decisions in a timely fashion, and presenting the awards at the SAH annual banquet.
Last year I was elected SAH Vice President with a whole new slew of duties. I also joined the group that helps organize one of the club’s annual conferences. The Michael Argetsinger Symposium on International Motor Racing History is held each fall at the famed Watkins Glen International Speedway in Watkins Glen, New York. To put on this symposium, the SAH partners with the IMRRC [International Motor Racing Research Center], also in Watkins Glen. This year I volunteered to physically put together the program for the upcoming event. While it was more work than I imagined, it was also a great learning experience. As I learned by editing the biographies, the folks who present at the Argetsinger are a varied and fascinating bunch. Scholars, armchair historians, former racers, students, archivists, librarians, engineers, and professors are just a few of the occupations and positions represented. The symposium format also incorporates Zoom presentations, which allows individuals from all over the globe [Britain, Australia, Italy, Spain, Germany] to participate as well.
The presentations encompass a wide variety of topics and points of view. Not only are the familiar NASCAR and Formula One racing series covered, but papers on more obscure racing venues and vehicles are also on the program. Women in motorsports, racing and nation, and motorsport journalism are discussed as well. This year, legendary racer Lyn St James will be offering what will no doubt be an inspiring keynote address. I will be presenting my paper on the history of women-only racing to a new and critical audience. Because I put together the material, I received a sneak preview to the upcoming event and am excited for what is in store. I look forward to looking and learning from this esteemed group of scholars and historians who will discuss their work and provide insight into the state of automotive history today.
For those interested in ‘attending’ the Argetsinger symposium, the two-day [November 1 & 2, 2024] event will be livestreamed and recorded. Information on access is available at the IMRRC website.
Last summer, female racing icon Danica Patrick once again made the news. However, it was not for her achievements behind the wheel, but rather for a comment she made while being interviewed on a broadcast designed with younger viewers in mind. When asked by a young admirer when the world would see a woman racing in F1, Patrick dismissed the whole notion, arguing that the ‘female mind’ would prevent women from such a motorsport achievement. Jalopnik writer Elizabeth Blackstock was highly critical of the former racer; as she argued, ‘a sporting broadcast designed for young children is perhaps not the best venue to share a deeply discouraging message to a large subset of young viewers.’ Social media platforms were flooded with negative responses from motorsport fans; as an X poster exclaimed, “There’s nothing worse than when a woman gets a platform in a male dominated space and uses it to showcase herself as the “exception” instead of using it to deconstruct harmful stereotypes.’ As one who has broken considerable barriers in the racing world, Patrick has the props and the potential to serve as a role model for young female aspiring racers. However, Patrick’s comment suggests she has little interest in assuming that role.
Vicki Woods in the NASCAR Hall of Fame
The reluctance of a groundbreaking female pioneer in any male-dominated profession to serve as a role model is not without precedent, nor is it particularly uncommon. Dr. Shawn Andrews, writing for Forbes, notes there are a number of reasons why women in power do not support or encourage other women. Andrews discusses phenomena such as the ‘Queen Bee Syndrome,’ when women display behavior more typical of men to display toughness, set themselves apart from lower ranking women, and fit in. Andrews also notes that when competition for ‘spots’ in favored in-groups increases, ‘women are less inclined to bring other women along.’ However, that which perhaps applies most directly to Patrick is the notion that, due to the obstacles women – particularly those first to attain success in predominately male fields – face in their career, their attitude toward other women is often ‘I figured it out; you should, too.’ I found this to be a somewhat common practice in my past career in advertising, where women who had struggled to attain respected positions were sometimes reluctant to mentor younger up-and-comers, endeavoring to keep hard-earned power and prestige for themselves.
Much has been written about the importance of female representation in male dominated areas in both academia and the media. In a study of the choice of college majors, Porter and Serra argue that the lack of women in traditionally male fields may be attributed to the scarce number of female role models. As they write, ‘due to historical gender imbalances, it is difficult for young women to come into direct contact with successful women who have majored in male dominated fields and can inspire them to do the same’ (1). Drury et al argue that female role models in STEM fields are, in fact, effective in combating ‘stereotype threat’; i.e. negative stereotypes that cast doubt on a woman’s ability to perform. Although Mary Barra encountered incredible obstacles within the historically masculine auto industry to become its first female CEO, she remains ‘a strong advocate for encouraging more women to pursue careers in traditionally male-dominated fields’ (Standley). Perhaps the most vocal promoter of female role models is former Secretary of State Madeline Albright, who famously stated, ‘there’s a special place in hell for women who don’t help each other.’
Throughout most of its long and storied history, motorsport has been unwelcoming to women. Although motorsport is one of the few competitive sporting activities in which men and women are allowed to engage on equal footing, females are vastly underrepresented in the majority of motorsport arenas. In the United States, women comprise over 50% of licensed drivers. Yet while there is no current data on the percentage of female motorsport participation, it is estimated that women’s involvement in combined motorsport venues is less than 4%. Barriers to women’s inclusion are both numerous and complicated. Obstacles include societal factors; young girls are discouraged from engaging with ‘toys that move’ and are less likely to be introduced to motorsport at a young age than their male peers. Longstanding systemic discrimination and harassment within racing organizations and masculine motorsport cultures is also a factor. As Shackleford writes, “the rules that create race events celebrate and encourage an exclusively masculine, distinctly stratified, labor-intensive relationship between man and machine” (230).
Display in “Driven to Win” at the Henry Ford
“More Than Equal” – a major study on female participation in motorsport – argues that while costs, inappropriate culture, and negative stereotyping of skill and ability are major barriers to women in motor racing, a significant contributor is the lack of female role models and mentors in the field. Without female representation in all levels of motorsport, the activity is off the radar for young women; they are often unaware of motor racing as something in which they can participate. Female representation in a male dominated profession such as motorsport allows girls to imagine that success is possible; when someone who looks like you breaks psychological and physical barriers it is easier to envision that you can, too.
French rally driver Michele Mouton
Women who participate in motorsport often express admiration and appreciation for those who have paved the way. In my own research into autocross, for example, women are often encouraged by the large number of female autocrossers who have not only succeeded, but are willing to teach and mentor those new to the sport. Female racing series including the W Series have provided a platform not only for those who participate, but also for those who aspire to one day join them on the track. Retired racers – including Indy 500 Rookie of the Year winner Lyn St James and French rally driver Michele Mouton – have created organizations specifically for the development and promotion of women in motorsport. Automotive organizations, museums, and institutions that feature and promote female racers in displays and special exhibitions – including the Automotive Hall of Fame and the Henry Ford – provide young visitors with exposure to female groundbreakers and role models.
It is unfortunate that Danica Patrick – perhaps the most visible and successful woman in the contemporary racing world – has chosen to discourage young girls from participating in motorsport by framing herself as the ‘extraordinary exception’ rather than a role model to which others may aspire. Hopefully the next female racing phenomenon – and there are a few up and coming superstars – will use their platform to encourage and promote women in racing. The future of women in motorsport depends on it.
Albright, Madeleine. “Madeleine Albright: My Undiplomatic Moment.” nytimes.com 12 Feb 2016.
Andrews, Shawn. “Why Women Don’t Always Support Other Women.” Forbes.com 21 Jan 2020.
Blackstock, Elizabeth. “Danica Patrick Really Isn’t Helping Women Get Into Motorsport.” Jalopnik.com 15 July 2023.
Drury, Benjamin J., John Oliver Siy, and Sapan Ceryan. “When Do Female Role Models BenefitWomen? The Importance of Differentiating Recruitment From Retention in STEM.” Psychological Inquiry 22 (2011): 265-269 .
Motorsport.com “‘More than Equal’ Publishes Findings from Female Motorsport Study.” 7 July 2023.
Porter, Catherine and Danila Serra. “Gender Differences in the Choice of Major: The Importance of Female Role Models.” American Economic Journal: Applied Economics 12(3) July 2020.
Rosvoglou, Chris. “Fans were Not Happy with Danica Patrick’s Opinion on Female Drivers.” The Spun July 2023.
Shackleford, Ben. ‘Masculinity, Hierarchy, and the Auto Racing Fraternity: ThePit Stop as a Celebration of Social Roles.’ Men and Masculinities 2(2) (1999): 180-196.
Standley, Edward. “Harnessing the Power of Female Buyers: Insights from Mary Barra, CEO of General Motors.” FutureStarr.com 18 August 2023.
About three years ago I was asked to contribute a chapter to a book in progress titled: The History and Politics of Motor Racing: Lives in the Fast Lane. The instructions were simple and somewhat vague; I was to write something/anything about the history and politics of women in motorsport. As the request was quite broad, and my knowledge of the subject nonexistent, I decided to focus on one aspect of women’s experience in motor racing that had not yet been addressed. [As it turned out, not much has been written on women in motorsport in any capacity so the possibilities were, in fact, endless]. At the time, the W Series was just being introduced as a new opportunity for women in the very masculine world of motorsport. As an all-female venue, I thought it would be interesting to trace the chronology of women-only racing as an alternative and perhaps unique opportunity for women interested in getting behind the wheel of a race car.
Earlier this summer, the aforementioned volume in ebook form was released, with the print version to follow later this year. Within this collection I find myself in the company of nearly 40 world renown motorsport historians and scholars in a variety of disciplines from all over the globe. I am honored to have my work included in this impressive and ambitious volume. I thank Katherine Parkin PhD, who recommended me for the project, for providing me with the opportunity to delve into something new – in both discipline and subject matter – to add to my published scholarship on women and cars. And I thank the editors for their advice, encouragement, and constructive criticism along the way. Of course, appreciation also goes to the many daring women who engaged in women-only racing, determinedly challenging gender stereotypes and successfully negotiating their way into the hypermasculine world of motor racing.
A road trip vacation focusing on minor league ballparks in the northeastern United States brought me to an auto museum nested in an out-of-the-way place I might have never visited otherwise. The Saratoga Automobile Museum is located within the beautiful 2,500 acre Saratoga Springs State Park. Often referred to as ‘the Queen of the Spas,’ Saratoga Springs was a frequent destination for those seeking the health benefits of its mineral springs. Fittingly, the museum is housed in a 1935 neoclassical building that began its life as a health spa after which it was converted to a bottling plant before it was reformatted to hold an impressive collection of cars. The museum covers two floors of the building – the first floor is reserved for special exhibitions; the second holds two permanent collections focusing on New York’s role in the automobile industry, motor racing, and car culture.
As I have discovered while working on this project, auto museums centered in ‘place’ [as opposed to manufacturer] are very much reflective of a particular automotive culture. The Saratoga Museum is no exception. The exhibit ‘East of Detroit’ – which takes up half of the museum’s second floor, is a little bit of a snarky look at New York’s role in the early auto industry. Once home to over 100 automobile manufacturers, NY automakers of the time created hand built machines that – in contrast to Ford’s mass produced Model T – were elegant, stylish, and exuded class. The exhibit focuses on the accomplishments of a few notable NY car makers, including Pierce-Arrow of Buffalo, Franklin of Syracuse, and Lozier, manufactured in Plattsburgh.
As the New York automobile industry suffered upon the rise of mass-production, the area does not have a history of women as factory workers or consumers as do locations in southeastern Michigan and the surrounding auto centric states. Thus the only reference to women in the exhibit is in the advertising, where high society women are called upon to lend an aura of class, elegance, and refinement to the automobiles they adorn. There is a certain sense of elitism in the exhibit; i.e. New York got out of auto manufacturing before the dirty business of mass-production took over, becoming instead, a major importer of European-made cars. In fact, the museum has a very ‘European’ bent; most of the non-NY manufactured cars in the building are of non American origin.
The ‘Racing in New York State’ exhibit, which occupies the other half of the second story, expounds on the history of auto racing in New York state, which dates back to 1896. Cars of note in New York’s motorsport past and present are on display accompanied by information about the numerous races, drivers, cars, and innovations with deep ties to the state. In terms of women, New York stakes claim to drag racing legend Shirley ‘Cha Cha’ Muldowney, who got her start on the streets of Schenectady. The history of Watkins Glen, a sleepy town that emerged as an epicenter of road racing in the United States, holds a place of prominence in the exhibit.
The special exhibit on the first floor was devoted to the cars of James Bond films. Women’s relationship to the various automobiles in these locations included the predictable as well as surprising. As might be expected, the majority of featured cars served as vehicles which aided Bond in the rescue of women. In Casino Royale, for example, Bond relies on his 2006 Aston Martin DBS to give chase when Vester Lynd is kidnapped. Also included in the 1997 BMW 750LI display is a reference to the automobile’s onboard assistant which was given a female voice so that ‘Bond might pay more attention.’ Perhaps the most surprising inclusion in the collection of Bond film cars was the 1969 Mercury Cougar XR-7, owned and driven in On Her Majesty’s Secret Service by Bond’s wife Tracy Draco. In perhaps a nod to 1960s feminism, Draco ‘shows off her driving skills along treacherous, icy mountain roads’ as she helps Bond escape Blofeld’s henchmen. In a film chronology that often relies upon the automobile to reflect Bond’s daring, inventiveness, aggressiveness, and masculinity, in which women serve primarily as an impetus for the car’s use, it was somewhat striking to see the Cougar featured so prominently in the first floor display.
Just as I was leaving the museum, disappointed but not surprised in the lack of female representation, I noticed an automotive art exhibit in one of the corridors. The artist, Lyn Hiner, is an internationally recognized palette knife painter. Her auto themed work ‘attempts to capture the essence of fine cars on canvass’. Upon doing a little research, I discovered that Hiner is not only a painter of automobiles but is a bonafide car enthusiast with a special fascination for Porsches. As Hiner wrote of one of her paintings, ‘I can hear the motor as it crests the road, smell the familiar scent of leather wrapped seats and distinct oil and gas.’ More than an exhibit of intriguing automotive art, the collection of Hiner paintings suggest that women can, in fact, have a relationship with the car that goes beyond stereotypical associations of practicality and reliability. Hiner has a visceral connection to cars which is very much reflected in her work. As it turns out, the acting executive director and director of events and programs at the Saratoga Auto Museum is female and, I suspect, had some influence over the inclusion of Hiner’s work. While it can be difficult to alter the automotive inventory of a museum that depends on [mostly male] donations, Hiner’s engaging automotive art provides a unique opportunity to view women not just as symbols of elegance and class, but as auto enthusiasts in their own right as well.
Earlier this week I was fortunate to attend the second annual Women in Motorsports event co-hosted by the Automotive Hall of Fame and WIMNA [Women in Motorsports North America]. There was a large group in attendance composed of women and men in the industry, aspiring female racers, sponsor representatives, and folks like me who were curious to hear about the current state of women’s motorsports. The evening was divided into three segments: the first was a screening of a new documentary – Undaunted– that focuses on the career of racer Paula Murphy; the second was a panel composed of women involved in racing in some capacity, including the legendary Lyn St. James; the third included the producers of Undaunted in a question and answer session. The evening was capped by refreshments and the opportunity for those in attendance to network with fellow female motorsports enthusiasts.
Undaunted was produced by the same team that released Boundless – a documentary about racer Betty Skelton – in 2022. As Pam Miller, one of those involved in both films, explained, the goal in these documentary projects is to tell stories of women who had been erased from motorsports history. Paula Murphy’s story, for example, is a fascinating one. Referred to as the ‘Women’s Lib Pioneer’ in the LA Times, the ‘World’s Fastest Woman’ in the west coast motorsports world, and ‘Miss STP’ on the racing circuit, Murphy took every opportunity available to further her racing career. From the late 1950s to the early 1970s, Murphy made important connections which allowed her to drive a variety of cars in multiple motorsports events on all sorts of tracks and racing conditions. Interviewed for the project at 94 years of age, Murphy’s personal observations and eye-opening revelation brought the documentary to life.
The panel composed of automotive and motorsports industry women offered both insight and advice to those interested in a motorsports career. Lisa Boggs, who leads motorsport marketing and sponsorship activities for Firestone Racing, encouraged those with motorsports goals to ‘always raise your hand’ and do what others don’t want to do. Katie Henninger, a 15-year-old racing phenom, advised young racers to take as many opportunities as possible and to be patient in achieving goals. A common theme among the panelists was the importance of building networks as means to contacts, self-promotion, and opportunities as well as to be a good member of that network. Strategies to deal with the dominant male environment of motorsports at every level was also part of the discussion. It was noted that many men in motorsports have a fear of replacement; i.e. their spots will be taken over by women. As Beth Paretta, director of Grace Autosport, succinctly expressed, ‘I don’t want your seat at the table. I want a longer table.’ The female panelists also noted the importance of reclaiming the good ole boys network to women in motorsports; i.e. supporting and promoting each other rather than have a singular focus on oneself. Lyn St James, who developed WIMNA as a means to support opportunities for women in all aspects of motorsports, emphasized the importance of looking for individuals with mentorship mentality to help grow women’s involvement in the motorsports arena.
The Second Annual Women in Motorsports at the Automotive Hall of Fame event endeavored to highlight, celebrate, connect, and inspire the next generation of female motorsports participants. Based on the reaction from the enthusiastic audience, the project is off to a promising start.
My first visit to the Automotive Hall of Fame in Dearborn, Michigan was about 15 years ago. I remember being rather unimpressed; if, at that time, I had to describe what ATF was or what it was about, I would have remarked that it was an automotive institution devoted to the accomplishments of old white men. The current AHF website notes that the museum, established in 1939, was originally called the ‘Automobile Old Timers,’ which suggests my initial impression was not all that far off. The automotive industry is a historically masculine enterprise; it is not surprising that a museum focused on early industry leaders and innovators would reflect a single-minded and determined male perspective.
Bertha Benz
Due to the inherent nature of a ‘hall of fame,’ the AHF is not a typical car museum; it is not focused on automobiles but rather significant individuals in automotive history. As the promotional material explains, ‘The mission of the AHF is to honor and celebrate the accomplishments of individuals in the international motor vehicle history through awards and educational programs […]’ The AHF is a small museum occupying just one floor; a path winds its way through the exhibits that serves as a chronology of the industry’s important contributors, ending in the center hall which honors the AHF recipients.
Lyn St. James
Much has changed since my initial AHF experience. While there can be no argument that the early auto industry was dominated by white men, much effort has been made to include women and people of color influential in automotive manufacturing, sport, and culture. Attention is given to the early female hall inductees, including Alice Ramsey, Denise McCluggage, Shirley Muldowney, Bertha Benz, and Janet Guthrie. A prominent exhibit featuring 2022 inductee Lyn St James includes one of her race cars; it is accompanied by a running video in which celebrated women such as Billie Jean King and First Lady Jill Biden praise St James not only for her many motorsports accomplishments but also for her continued work on behalf of women.
‘Nitro Nelli’ Goins
In honor of Black History Month, the AHF developed an extensive exhibit centered on the automotive achievements of African Americans. Of the 19 individuals singled out, six are women. In the AHF entry hall, the funny car of ‘Nitro Nelli’ Goins – an individual who opened doors for black women in motorsports – is on display. The focus on Goins and St James serve, perhaps, as an introduction to the AHF women in motorsports exhibit planned for late 2023.
The transformation of the Automotive Hall of Fame from an institution focused on the accomplishments of a select group of homogeneous individuals to that which celebrates the hidden diversity within industry contributors is quite remarkable. It suggests that while the masculine origins of automobile history and culture are universally accepted and acknowledged, the automotive contributions of those who fall outside the mainstream are also worthy of recognition and respect.
As someone who grew up about a half mile from the city of Dearborn, I have visited the Henry Ford and Greenfield Village many times in my life. But the museum took on new meaning once I began my research into the relationship between women and cars. The Henry Ford Museum of American Innovation, as it is now called, has gone through many updates, redesigns, and reimaginings in my lifetime. Once a confusing collection of artifacts and vehicles, the space is now organized into a number of well-defined areas. The two sections that focus on the automobile – Driving America and Driven to Win – make up just over a third of the museum space.
The two driving-themed areas are less about cars than about car culture. As the curator of transportation Matt Anderson states, “the exhibit is not so much about the automobile itself, but about our relationship to it.” Driving America addresses how cars affected American lives, and in turn how American living shaped car culture. While there are certainly a plethora of vehicles on display, the cars most often serveas representatives of a particular era, event, pastime, or purpose. Cultures, institutions, and establishments developed because of the automobile – hotels, service stations, campsites, and roadside restaurants, for example – are integral to the car stories on display.
Driven to Win, the newest exhibit within the Henry Ford, describes itself as a history of racing in America, from soap box derbies to Indy car, stock car, and drag racing. It accomplishes this by focusing on the many innovators and champions of motorsports through interactive displays, historic race cars, artifacts of groundbreaking drivers, racing simulators, and displays that “immerse the visitor in the stories, images, thrills, and sounds of auto racing.”
Because the exhibits focus on car culture rather than particular automobiles, women are very much present as consumers, drivers, workers, and influencers. They are introduced as early proponents of bicycles and the Model T as well as the minivan. They are represented in promotions about style, design, and safety. Women’s changing roles in advertising – as objects, symbols, moms, and adventurers are also addressed. While notable women in automotive history make an appearance, it is ordinary woman of extraordinary influence who take center stage.
Driven to Win includes artifacts and success stories of the expected exceptional women in motorsports. However, women behind the scenes – as pit crew workers and mechanics – are also well represented. While women’s relationship to the automobile has historically been relegated to the sidelines, the Henry Ford makes a concentrated effort to incorporate the women driver as an integral participant and contributor to automotive culture.
As I happened to visit the Henry Ford during March – Women’s History Month – many of the exhibits with a female focus were highlighted. Driven to Win featured artifacts of celebrated race drivers including Janet Guthrie, Sarah Fisher, and Danica Patrick. Attention was drawn to a 1955 Chrysler 300, similar to one driven by Vicky Wood – the fastest woman at Daytona. The Ford Rouge Factory Tour featured an opportunity to ‘Meet the Rosies’ as the denim-clad presenters related inspiring stories of the Wonderful Outstanding Women [WOW] who helped win World War II as part of the “The Arsenal of Democracy.’
While the ‘typical’ automotive museum focuses on the history of a particular manufacturer or the interests of a generous collector, the Henry Ford employs a broader approach to its significant collection. As the museum CEO notes, ‘we don’t just display the vehicles, we bring the past forward by immersing our visitors in the stories of ingenuity, resourcefulness and innovation that have made America the great country it is today.” And that resourceful past includes the contributions, influence, and participation of the woman behind the wheel.
After a three year hiatus due to COVID, the Michael Argetsinger Motorsports Conference, held at the legendary Watkins Glen International, was back. I had the opportunity to present my current-but-still-very-much-in-its-early-stage project focused on women who participate in autocross. It was a two-day conference, with a variety of presentations conducted via Zoom, in-person, and of the hybrid variety. The topics were varied, ranging from very detailed looks at a certain aspect of motorsports, in-depth examinations of the famous and obscure in motorsports history, as well as investigations of racing through the lens of popular culture. My presentation was the last of the last day, followed by a roundtable on women in motorsports. It was an exhausting two days, but I was able to catch up with scholars I have met on previous occasions as well as meet and connect with others in the field. The conference was well attended and live streamed. It was an excellent venue in which to present new work and get important feedback.
My own presentation went pretty well, my clumsy oral skills notwithstanding. The responses were primarily positive and I received a number of helpful suggestions. The audience was composed primarily of older white men, which is a microcosm of the motorsports academic community. While there were a number of female speakers, there was only one other presentation in which women in motorsports was the focus.
As a female who writes about women and automobiles from a decidedly feminist perspective, I often feel that the mostly male audience just doesn’t get it. Women’s experience with cars differs greatly from that of men, which I attempt to address in all of my work. While men tend to look at motorsports as a masculine competition, with the ultimate objective of taking home the grand prize, women often look beyond the contest to consider other aspects of the event. In the autocross project, as I discovered, the primary focus was on camaraderie; the competition was, in fact, a means to a broader and more rewarding experience. As one of the women interviewed expressed, ‘without the community it’s just driving fast around cones.’ But as I have noted, it is often difficult for those who have always looked at motorsports from the dominant male frame of reference to consider alternative perspectives. The men in the audience appeared quite puzzled as they looked at photographs of women joyfully joining together before and after each run. I’m sure ‘but where are the cars?’ was a question they repeatedly asked themselves during the presentation.
The lack of male understanding became especially evident in the roundtable that concluded the conference. The roundtable started off fairly well; the initial discussion focused on the state of women in motorsports scholarship, a topic very much in need of attention. However, when the microphone was turned over to the audience for comments, it quickly devolved into men telling women what they should write about. While some of the comments had merit, many were downright dreadful. The most egregious suggestions included an inquest into the wives of male racing legends, an in-depth examination of Linda Vaughn, the infamous ‘Miss Hurst Golden Shifter,’ and my personal favorite [not], a survey of women in automotive advertising, with the recommended and cringeworthy title ‘Broads on Buicks.’ Yikes. As it turns out, the attitudes of men who write about motorsports are not much different than those women encounter each weekend at the track.
While I was somewhat frustrated in my attempts to get through to some audience members, I believe that the conference was ultimately a success. I was able to partake in a lively conference in a unique in an inspiring setting; I had the occasion to take in new and important motorsports research; I had the chance to network and connect with renown scholars and historians in the field; and had the opportunity to present my own research and perhaps change some minds about the role of women in motorsports. All in all not a bad weekend.
